ID de tableau:: 5039
Madonna with the Child La Madone avec lEnfant 1460-64
Oil on canvas transferred from wood, 52 x 42,5 cm
Museo Correr, Venice 1460-64 Huiler sur le canevas transféré du bois, 52 x 42,5 cm Correr Museé, Vénise Italian High Renaissance Painter, ca.1430-1516
ID de tableau:: 31291
Madonna with the Child la Madone avec l~Enfant 1425
Fresco
Duomo, Orvieto 1425 Duomo de Fresque, Orvieto Fabriano ca 1370-Rome 1427
ID de tableau:: 86644
Madonna with the Child Date between 1460(1460) and 1464(1464)
Medium Oil on canvas transferred from wood
Dimensions Height: 52 cm (20.5 in). Width: 43 cm (16.9 in).
cjr Italian High Renaissance Painter, ca.1430-1516
ID de tableau:: 90596
Madonna with the Child between 1460(1460) and 1464(1464)
Medium Oil on canvas transferred from wood
Dimensions Height: 52 cm (20.5 in). Width: 43 cm (16.9 in).
cyf Italian High Renaissance Painter, ca.1430-1516
(1510 - 9 May 1586) was a Spanish painter born in Badajoz, Extremadura. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion.
Influenced, especially in his early work, by Raphael Sanzio and the Lombard school of Leonardo, he was called by his contemporaries "The Divine Morales", because of his skill and the shocking realism of his paintings, and because of the spirituality transmitted by all his work.
His work has been divided by critics into two periods, an early stage under the influence of Florentine artists such as Michelangelo and a more intense, more anatomically correct later period similar to German and Flemish renaissance painters
ID de tableau:: 96673
Madonna with the Child 1570s
Medium oil on panel
cyf (1510 - 9 May 1586) was a Spanish painter born in Badajoz, Extremadura. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion.
Influenced, especially in his early work, by Raphael Sanzio and the Lombard school of Leonardo, he was called by his contemporaries "The Divine Morales", because of his skill and the shocking realism of his paintings, and because of the spirituality transmitted by all his work.
His work has been divided by critics into two periods, an early stage under the influence of Florentine artists such as Michelangelo and a more intense, more anatomically correct later period similar to German and Flemish renaissance painters
